I use a snake stage box and the XLR mic inputs go straight into the line splitter ( MS8000) and the instruments go into the DI Pro 8000 and through a Samson S-Patch into my Liquid 56 - unlimited flexibility. All down to your imagination and desires. Using a DIPro 8000 and all 8 XLR inputs can take instruments as mics (balanced) add a line splitter and S-Patch and you can have great fun over budding or taking multiple recordings per take. And thats as standard without any hardware or software to boost things further and beyond. You get 2 headphone out, 8 mic pre amps two of which have (Liquid) effects, you get two dedicated instrument inputs, it offers Phanton HPF and phase on all 8 inputs. who hasn't?Īccepted Focusrite have not updated the mix control to the later GUI version but give it time you realise it works perfectly well, if a little over complicated.
Run VOicemeeter or any other virtual cabling software and you can further increase your outputs I have mine going through a 7.1 amp for fun and my studio monitors for mastering and the onboard outputs go to amps and cabs so yip a fair few speakers kicking about this place. Add a AD/DA converter and you are starting to get serious. With 16 inputs (8 XLR and 8 TRS) 8 outputs (including 7.1 or just split the instruments into separate output channels)) this unit is a beast comparing it to what you would get for your money new. These might appear to some as old almost an obsolete audio interface but you would be fooling yourself.
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